St. Anton, Switzerland
Edited by vintageaddictions
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The holy canons of madrigal, the mandates of touch, smell, taste, sight, hearing, the passion for justice, sexual desire, the sea sounding—-willfully rejecting and accepting nothing: the deep penetration of things in the transports of love, a consummate poetry soiled by the pigeon’s claw, ice-marked and tooth marked, bitten delicately with our sweat-drops and usage, perhaps. Till the instrument so restlessly played yields us the comfort of its surfaces, and the woods show the knottiest suavity shaped by the pride of the tool. Blossom and water and wheat kernel share one precious consistency: the sumptuous appeal of the tactile.
Let no one forget them. Melancholy, old mawkishness impure and unflavored fruits of a fabulous species lost to the memory, cast away in a frenzy’s abandonment—-moonlight, the swan in the gathering darkness, all hackneyed endearments: surely that is the poet’s concern, essential and absolute.
Pablo Neruda from Toward An Impure Poetry